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From Mouse to Mermaid: The Politics of Film, Gender, and Culture
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- Sales Rank: #8042971 in Books
- Binding: Paperback
Most helpful customer reviews
1 of 1 people found the following review helpful.
An excellent text for exploring popular culture and hegemony
By EL
This text includes an excellent selection of semiotic and cultural studies analyses of Disney movies, including feminist analyses. I like the variety--some are oppositional readings, some negotiated readings to show that some progressive features can be found. One of my favorite essays included is the study of Pretty Woman through the black female gaze and how it develops the analysis of the subtext. I find the text very helpful for my Popular Culture and Gender Construction course (which explores the intersections of gender, race, class and other markers of identity in a variety of areas of popular culture). The introduction establishes key ideas about the value of the critical study of popular culture in depth and emphasizes the power Disney holds.
2 of 3 people found the following review helpful.
From Mouse to Mermaid
By amyislikewoah
I had to order this book for my EWS class. Honestly, I thought this would be another one of those boring books I had to torture myself to read; that is, just by judging by the cover. As I was reading it, I found myself to be enjoying this book quite a lot. I agreed to a lot of the points made in the articles and I really do hope that EWS professors would choose this book for the class. Lesson learned? Don't judge a book by its cover.
15 of 17 people found the following review helpful.
Accessible Critiques
By D.K. P.
Perhaps the most important contribution to Disney Studies this book offers is an accessibility that, at the same time, offers a serious reconsideration of Disney films. Disney, for these scholars, is not above serious consideration and critique. In considering Disney worthy of study, the authors pay Disney a sincere (if backhanded and misunderstood) compliment. Rather than dismissing Disney as "just for children," they collectively question Disney's products and examine their influence.
In this collection of essays, the editors have managed to compile a broad range of materials that critique Disney in the spirit of critique, meaning a thoughtful and serious investigation. As the title suggests, much of the work here is interested in gender, but questions of race and ethnicity are also asked, as well as issues of power and identity. Although these are fairly heady topics, many of the essays are lively and engaging. For those just beginning to study Disney seriously, the works of Jack Zipes and Henry Giroux are recommended. For work on the animated films, the contributions of the editors (Bell, Haas, and Sells) are thought-provoking as well. All the essays, in fact, offer food for thought, whether one is in agreement with the authors or not.
People who think, "But it's just a cartoon," may not enjoy this challenge to reconsider Disney's films for their cultural impact. Then again, these very same people might be the most rewarded by such a collection. It is recommended for educators wishing to introduce critical thinking into a college classroom using Disney films, scholars working in Disney Studies, and Disney enthusiasts keeping abreast on writings on Disney.
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